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Encore is the fifth studio album by American rapper Eminem, released on November 12, 2004 by Aftermath Entertainment, Shady Records, and Interscope Records. Its release date was originally set for November 16, 2004, but was moved to November 12 after the album was leaked to the internet.

Encore sold 710,000 copies in its first three days, and went on to sell over 1.5 million copies in its first week of release in the United States.^[1] Critical reception was less favorable than his previous albums, with most of the second half being criticized.^[2]Encore provoked some controversy over anti-Bush lyrics and lyrics that parodied and targeted Michael Jackson, who was upset about Eminem's depiction of him in the video for 'Just Lose It'.^[3]

Encore has sold 11 million copies worldwide and it is certified quadruple-platinum by the Recording Industry Association of America (RIAA).^[4][5] With sales being considerably less than Eminem's previous albums, Encore has faced criticism, with critics and fans viewing the album's middle section's as lazy, and the album is often considered to be one of Eminem's low-points. Eminem himself stated that 'Encore... [is] not what I would consider one of my better albums' in an interview with Sway Calloway in 2018.^[6]

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Content[edit]

The album contains several lyrical themes, including Eminem's relationship with his ex-wife, Kim, ('Puke', and 'Love You More'), their daughter Hailie Jade Mathers ('Mockingbird'), his childhood ('Yellow Brick Road'), his relationships with his parents ('Evil Deeds'), and opposition to then-American President George W. Bush ('Mosh' and 'We As Americans') 'Just Lose It' is a parody of Michael Jackson's 'Billie Jean', as well as his Pepsi commercial accident in 1984. Similar to Eminem's previous album, The Eminem Show, Encore opens with a skit called 'Curtains Up', indicative of the start of the show, and closes with 'Curtains Down', indicative of the end.

Censorship[edit]

Simultaneously with the original, a censored version was released, from which most of the profanities, violent and sexual content, as well the drug references had been edited out.'My 1st Single' has a bleep for the word 'fuck' instead of a muted part on the hook: 'This was supposed to be my first single, but I just fucked that off so... Fuck it let's all have fun let's mingle', the lines: 'Smack a bitch and slap a ho' changed to 'Grab a chick and Do-si-do'. The second and third verses were edited with the words 'Kim', 'Pornos', 'Fucking', and 'Cum' on the second verse changed to the words; 'Frickin', 'Videos', 'Cussing', and 'Puff' (with an added explosion noise) respectively, and the third verse editing the word 'Cock' with a chicken noise, and having 'Dick' replaced with 'Duck', along with the censored bleeps in replacement for the word 'Fuck' as used on the hook. 'Puke' has the word 'Fucking' changed to 'Fricking' throughout the song, 'Shit' being replaced with 'Shoot' near the end of the first verse, with the second verse being censored extensively with the line 'You're a fucking cokehead slut, I hope you fucking die' changed to: 'You're a freaking piece of poop, I hope you freaking die', and 'I hate your fucking guts, you fucking slut' changed to 'I hate your freaking guts, you piece of poop'. On 'Just Lose It', the first verse censors 'Molestation' with 'Investigation'. In 'We as Americans' the words dead was back masked in both clean and explicit versions of the song, due to an investigation for the lyrics; 'Fuck money, I don't rap for dead presidents, I'd rather see the president [dead]'. The word 'ass' is left uncensored in 'Yellow Brick Road', 'One Shot 2 Shot', 'Encore' and 'We As Americans'. However, it is censored out in 'Ass Like That', 'Mosh', 'Spend Some Time', 'My 1st Single', and 'Just Lose It' (In this song's case, replaced with 'Thing'), with the song 'Rain Man', the word 'ass' is used twice, but only censored once. The word 'goddamn' was left uncensored in 'Spend Some Time” while 'Yellow Brick Road' leaves 'goddamn' uncensored once. Other profanities on all other songs are blanked out; and the song 'Ass Like That' is listed as 'A** Like That'. 'Encore' has the shooting sequence at the end of the track removed on the censored album. 'One Shot 2 Shot' has the violent content edited removing the intro and the word 'shot' throughout the song. However, the original title remains written on the back cover.

Artwork and packaging[edit]

The album featured two covers, the first cover features Eminem standing in front of an audience, bowing to the crowd. The tray insert features Eminem holding a gun behind his back. The inlay shows Eminem holding the pistol in his mouth without the jacket of his shirt and tie. The CD itself shows a note written by Eminem saying 'To my family & all my friends, thank you for everything, I will always love you. To my fans, I'm Sorry, Marshall' with a bullet underneath the note. The note is also seen in the album's booklet, where Eminem is writing the note. Some pictures show Eminem shooting everybody, which makes a reference to the ending of the album's title track. The second cover features the same audience from the inlay on a black background with a blood splat on the top right. This cover is used for the Shady Collector's Edition.

Critical reception[edit]

Encore received generally mixed to positive reviews from critics, who praised the beginning of the album, but criticized most of the second half.^[18] At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 64, based on 26 reviews.^[8] Josh Love from Stylus Magazine felt Eminem was 'dying' with this album, whose concept was 'end-to-end mea culpa', full of 'clarifications, rectifications and excuses', revising the history of 'a man who knows he doesn't have much time left'.^[19] Scott Plangenhoef, writing for Pitchfork Media called Encore a 'transitional record' and 'the sound of a man who seems bored of re-branding and playing celebrity games'.^[13]BBC Music's Adam Webb believed it starts 'fantastically' but ends 'abominably', writing that it has too many 'low points'.^[20] David Browne from Entertainment Weekly said Eminem 'sacrifices the rich, multi-textured productions' of his two previous albums for 'thug-life monotony, cultural zingers for petty music-biz score-settling, and probing self-analysis for juvenile humor'. He concluded his review by saying that Eminem has become 'predictable' on Encore, something that he wasn't before.^[10]

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Stephen Thomas Erlewine was more enthusiastic in his review for AllMusic, calling the music 'spartan', built on 'simple unadorned beats and keyboard loops', and the lyrics 'plain-spoken and literal'.^[7]Robert Christgau said Eminem still sounded 'funny, catchy and clever, and irreverent past his allotted time', noting that even the bonus tracks 'keep on pushing'.^[17] In Rolling Stone, he wrote that Encore was not as 'astonishing' as The Marshall Mathers LP, but praised Eminem for maturing his lyrical abilities while retaining his sense of humor.^[14] Steve Jones from USA Today also spoke positively about the album, calling Eminem's producing and lyrical skills as 'top-flight' and noting that the record explores 'the many sides of Marshall Mathers'.^[21] The album earned Eminem Grammy Award nominations in three categories at the 48th Annual Grammy Awards: Best Rap Album, Best Rap Performance by a Duo or Group for the song 'Encore', and Best Rap Solo Performance for the song 'Mockingbird'.

Encore provoked some controversy over anti-Bush lyrics and lyrics that parodied and targeted Michael Jackson, who was upset about Eminem's depiction of him in the video for 'Just Lose It'.^[22] On December 8, 2003, the United States Secret Service admitted it was 'looking into' allegations that Eminem had threatened the President of the United States, George Bush,^[23] after the song 'We as Americans', as an unreleased bootleg, circulated with the lyrics 'Fuck money, I don't rap for dead presidents. I'd rather see the president dead.' This line was eventually used as a sample in Immortal Technique's single 'Bin Laden', which featured Mos Def and Chuck D. The incident was later referenced in the video for his song 'Mosh' as one several news clips on a wall, along with other newspaper articles about other unfortunate incidents in Bush's career. The song eventually appeared on the album's bonus disc, with the word 'dead' being reversed.

About the album's reception, Eminem said: 'I’m cool with probably half that album. I recorded that towards the height of my addiction. I remember four songs leaked and I had to go to L.A. and get Dre and record new ones. I was in a room by myself writing songs in 25, 30 minutes because we had to get it done, and what came out was so goofy. That’s how I ended up making songs like “Rain Man” and “Big Weenie.” They’re pretty out there. If those other songs hadn’t leaked, Encore would’ve been a different album.'^[24] In the Kamikaze interview he did with Sway Calloway, although he stated that 'Encore... [is] not what I would consider one of my better albums', in the same interview, he considered it better than its follow-up Relapse.^[25]

Commercial performance[edit]

Encore sold 710,000 copies in its first three days,^[26] and went on to sell over 1.5 million copies in its first week of release in the United States,^[27] certified quadruple-platinum that mid-December.^[28] Nine months after its release, worldwide sales of the album stood at 11 million copies.^[29] The album made digital history in becoming the first album to sell 10,000 digital copies in one week.^[30] As of November 2013, the album had sold 5,343,000 copies in the US.^[31]

Encore sold 125,000 copies in two days in the United Kingdom,^[32] and was certified quadruple-platinum.

Track listing[edit]

Notes

• ^{^[a]} signifies an additional producer.
• 'Love You More' and the original version of 'We As Americans' were leaked in 2003.
• Dr. Dre has cameo appearances in 'Rain Man', 'Just Lose It', 'Ass Like That'.
• 'Curtains Down' is a skit at the end of 'Encore', which Eminem shoots everyone at his concert and shoots himself and a robotic voice saying 'See you in hell, fuckers.' is used. Some of the pictures in the booklet make reference to this.
• The robotic voice heard on 'Em Calls Paul' and in the 'Curtains Down' skit is Eminem speaking with an electrolarynx.

Personnel[edit]

Credits are adapted from the album's liner notes.^[34]

• Mike Elizondo – keyboards(tracks: 2, 3, 6, 10, 11, 13, 14 and 20); guitar(tracks 6, 11, 13 and 20); sitar(track 14)
• Steve King – guitar (tracks: 4, 5, 7, 15, 17 and 18); bass(tracks: 4, 5, 7 and 17); mandolin(track 4); keyboards (track 11)
• Luis Resto – keyboards (tracks: 2, 4, 5, 7, 8, 15, 16, 17, 18 and 20)
• Mark Batson – keyboards on (tracks: 2, 6, 10, 11, 13 and 20); bass on (track 14)
• Che Vicious – programming(track 20)

Charts[edit]

Certifications[edit]

References[edit]

1. ^D'Angelo, Joe (November 17, 2004). 'News : Eminem Shreds The Competition, Even With A Premature Encore'. CMT.com. MTV Networks. Archived from the original on October 22, 2012.
2. ^Bynoe, Yvonne (2006). Encyclopedia of Rap and Hip-hop Culture. Greenwood Press. p. 119. ISBN0313330581.
3. ^Burkeman, Oliver (October 14, 2004). 'Michael Jackson threatens to sue over mocking video by Eminem'. The Guardian. Retrieved August 19, 2013.
4. ^Byrne, Ciar (August 18, 2005). 'The real Slim Shady stands up the fans on his European tour'. The Independent. London: Independent News & Media. Retrieved November 14, 2008.
5. ^'RIAA: Searchable Database: Eminem'Archived November 24, 2012, at WebCiteRecording Industry Association of America. Retrieved September 17, 2011.
6. ^http://www.xxlmag.com/gdpr/consent/?redirect=/news/2018/09/eminems-interview-sway-what-we-learned/
7. ^ ^abErlewine, Stephen Thomas. 'Encore - Eminem: Review'. Allmusic. Rovi Corporation. Retrieved September 29, 2011.
8. ^ ^ab'Reviews for Encore by Eminem - Metacritic'. Metacritic. November 12, 2004. Retrieved January 28, 2017.
9. ^Blender (January/February): 100. 2005.CS1 maint: Untitled periodical (link)
10. ^ ^abBrowne, David (November 19, 2004). 'Eminem - Encore'. Entertainment Weekly. Retrieved August 18, 2013.
11. ^Petridis, Alexis (November 12, 2004). 'Eminem : Encore'. The Guardian. Retrieved August 18, 2013.
12. ^Cashmore, Pete (December 10, 2004). 'Eminem : Encore'. NME. Retrieved August 18, 2013.
13. ^ ^abPlangenhoef, Scott (November 11, 2004). 'Eminem - Encore'. Pitchfork Media. Retrieved August 18, 2013.
14. ^ ^abChristgau, Robert (December 9, 2004). 'Eminem - Encore'. Rolling Stone. Retrieved August 18, 2013.
15. ^Cinquemani, Sal (November 13, 2004). 'Eminem - Encore'. Slant Magazine. Retrieved August 18, 2013.
16. ^LLC, SPIN Media (January 1, 2005). 'SPIN'. SPIN Media LLC. Retrieved December 28, 2017 – via Google Books.
17. ^ ^abChristgau, Robert (2005). 'Christgau's Consumer Guide'. The Village Voice. New York. Retrieved August 18, 2013.
18. ^Bynoe, Yvonne (2006). Encyclopedia of Rap and Hip-hop Culture. Greenwood Press. p. 119. ISBN0313330581.
19. ^Love, Josh (November 12, 2004). 'Eminem - Encore'. Stylus Magazine. Archived from the original on February 9, 2014. Retrieved August 18, 2013.
20. ^Webb, Adam (2004). 'Eminem - Encore'. BBC Music. Retrieved August 18, 2013.
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24. ^Marchese, David. 'Eminem on His New Album, His Critics, and Hating Donald Trump'. Vulture.com. Retrieved December 28, 2017.
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26. ^D'Angelo, Joe (November 17, 2004). 'News : Eminem Shreds The Competition, Even With A Premature Encore'. CMT.com. MTV Networks. Archived from the original on October 22, 2012.
27. ^Grein, Paul (June 3, 2009). 'Week Ending May 31, 2009: 'Boom Boom Pow' Sets Digital Record'. Yahoo! Music. Retrieved June 3, 2009.
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34. ^(2004) Album notes for Encore by Eminem. Aftermath Entertainment.
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45. ^'Ελληνικό Χαρτ: Top 50 Ξένων Άλμπουμ' [Greek Chart: Top 50 Foreign Albums]. IFPI Greece. February 4, 2005. Archived from the original on February 4, 2005. Retrieved August 3, 2011.
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56. ^'Swedishcharts.com – Eminem – Encore'. Hung Medien. Retrieved May 28, 2010.
57. ^'Swisscharts.com – Eminem – Encore'. Hung Medien. Retrieved May 28, 2010.
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88. ^'IFPI Platinum Europe Awards – 2004'. International Federation of the Phonographic Industry.